A Page from Megan’s Journal


April 15, 2006

I’m back home – it’s early in the morning and my window is open. I woke up to the sound of birds chirping. Several kinds of birds chirping back at one another. And since we live in a hollow, I can judge how far away the bird is by how much its chirp resounds through the hollow. I love coming home – it’s the small stuff like this that make me miss it even more when I go back to Shepherd. Because, while Shepherdstown is gorgeous in the spring, it doesn’t have the air of natural simplicity that home does. I don’t wake up to birds chirping – and all of the blooming trees have been carefully chosen and placed for the best effect. And while I do appreciate that and love the trees, there’s just something about driving down a dirt road with fields on one side and trees on the other; then looking carefully into the trees, you see patches of Johnny-Jump-Ups and little white star flowers. These are my roots. I guess deep at heart I’m just a country girl – I love my mountains and fields and runs and birds and just open Nature.

In my 18th Century class, we read Burke and discussed his theory that the greatest human emotion is fear, so in order for something to be wholly beautiful, it has to produce that ultimate emotion, and therefore be fearful. We discussed the words “awesome” and “awful” and how they relate to this theory – the most beautiful (or awesome) things (according to Burke) produce a feeling of awe and fear. I don’t think that I agree with him to the sense that the most beautiful things have to cause fear; I believe that they do have to cause some strong emotion, just not necessarily fear. Thus far, I’ve found that most beautiful things tend to hurt. They somehow reach into me and touch that inner core and produce feelings of intense sadness, loneliness, and sometimes almost despair. But the sights that draw forth these emotions aren’t necessarily great works of art or carefully planned gardens – it can be the most fleeting glimpse of a gully in between two hills, covered with a layer of leaves, broken tree branches and dead trees leaning against the ones still standing, beams of light shining down from in between clusters of leaves, and sometimes a run going right through the middle of it all. All taken in as we whiz by in our car, but still just hurting because it makes me know that something is missing. That simple kind of beauty? The appreciation of that kind of beauty? Or the promise of some other world that I know can’t really exist?

“The passion caused by the great and sublime in nature, when those causes operate most powerfully, is Astonishment; and astonishment is that state of the soul in which all its motions are suspended with some degree of horror.” ~Edmund Burke

 


 

Take a look at a page from Megan’s sketchbook.

 


 

Megan Shanholtz is an English major at Shepherd University.

 


“American Transcendentalism: An Online Travel Guide” was produced by students in ENGL 446, American Transcendentalism, and ENGL 447, American Literature and the Prominence of Place: A Travel Practicum. These courses were team-taught in the Department of English at Shepherd College (now Shepherd University), Shepherdstown, West Virginia, in Spring 2002 by Dr. Patricia Dwyer and Dr. Linda Tate. For more information on the course and the web project, visit “About This Site.” © 2003 Linda Tate.